Archive for the ‘Full Q&A’ Category

  • Full Q&A: The Walkmen: Fleet Foxes’ “Robin [Pecknold] Did A Really Knockout Job” on New Album

    March 6th, 2012 | Full Q&A | Rob Duffy | No Comments

    Walkmen bassist/organist Peter Bauer talked to Tapedek all about growing old, why he thinks their forthcoming album will be the band’s greatest success yet, and how The Walkmen recruited Fleet Foxes singer Robin Pecknold to sing a few sweet harmonies on the new disc.

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  • Full Q&A: Crocodiles

    November 25th, 2011 | Full Q&A | Rob Duffy | No Comments

    Crocodiles singer Brandon Welchez sits down with Tapedek to discuss his criminal record, why he despises Pitchfork and why his band’s third album is “the best one yet.”

    “if you intentionally make a shitty record even though you have the money to make something more decent, it’s going to come across as fake.”

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  • Q&A: Crocodiles Call Pearl Jam “Fuckin’ Cheesy”

    November 9th, 2011 | Full Q&A | Rob Duffy | No Comments

    Crocodiles singer Brandon Welchez on Pearl Jam’s cheesiness, why he would choose Cocaine over Heroin and plans to start a new group with wife Dee Dee (from Dum Dum Girls)

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  • FULL Q&A: The Vaccines Call Liam Gallagher ‘A Comedian’

    June 3rd, 2011 | Featured, Full Q&A | tapedekel | No Comments

    Find out why The Vaccines think Liam Gallagher is a joke, Editors’ Tom Smith is ‘a cock,’ which member enjoys cocaine and which will leave the band to date Kate Moss.

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  • Full Q & A: Jack White

    October 11th, 2010 | Articles, Full Q&A | tapedekel | 5 Comments

    Full Q & A with musician/producer/actor/label boss Jack White about his distrust of the Internet, frustration with his own celebrity and how he didn’t think there was “anything interesting” about his biggest hit.

    An edited version of this interview appeared on AOL’s Spinner and led to a Richard Florida essay in the Atlantic. This unedited Q & A features a new author intro and lots more on the creation of the Dead Weather’s latest album, comparisons to the White Stripes and how the musical workhorse chooses his next project.

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